Write your home’s story
Three taps, and we’ll sketch the home you’re imagining. Then send it to Sapna.
Tell Sapna about your home in the form below, or on WhatsApp.
Katha is a remote-first interior design studio led by Sapna. We plan, style and deliver homes and workspaces in Pune, Chennai, Karad and Kolhapur, and we are open to more of India, from the first sketch to the last cushion.
Most interiors start with a floor plan. Ours start with a conversation: how you cook, who visits on Sundays, which corner gets the good morning light, what you have carried from every house you have lived in.
Sapna spent five years designing homes and workspaces at studios in Pune, Karad and Chennai before founding Katha, and she still draws every plan herself. The studio works remotely by design: one designer who runs every project end to end, with trusted contractors in each city.
Full service, or any single chapter of it, for apartments, independent homes and commercial spaces, at whatever budget the project honestly allows.
Layouts, circulation, details and lighting, resolved in drawings and 3D before a single wall moves. You see the room before you pay for it.
That’s space planning: every piece placed for how you’ll live.
For spaces that are structurally fine but emotionally unfinished. Furniture, textiles, art, colour, and the small objects that make a room read as someone’s own harmony.
We appoint and run the trades, hold the drawings as the single source of truth, and keep an eye on site so quality is caught early.
The whole arc, from brief to handover, with one point of contact. You unlock the door and the house is finished, styled and photographed.
Sapna at B&A Design Studio · Pune
One project, in motion
A commercial fit-out, shared on site as the work happened rather than staged for the site. It is the one project here on video instead of in finished photographs.
The material palette
HoverTap a sample to see its details.
A pale, straight-grained hardwood for floors, tabletops and open shelving: the calm, light note a bright room asks for.
A hand-woven natural fibre for rugs and baskets, its coarse matte weave grounding a room without competing with anything in it.
A linen-textured laminate for cabinetry and wardrobes, with the softness of woven cloth on a surface built for daily use.
A breathable, hand-troweled wall finish with a soft matte texture that shifts with the light.
Fluted glass for partitions and cabinet fronts, with enough texture to soften a view without losing the light behind it.
Cotton denim for durable upholstery and cushions, chosen for how it wears in rather than wears out.
Takle house, Kolhapur · first floor furniture layout · drawn by Sapna, 14.07.2025, with Metru Studio
Remote does not mean distant. Every stage ends in something you can hold: a drawing, a board, a costed schedule.
This plan is not an illustration. It is Sapna’s own sheet for the first floor of a bungalow project in Kolhapur, taken apart into the five stages that produced it.
Every studio can show a render. Below is the render and the room, photographed at handover from a house in Kolhapur that Sapna designed and stayed with throughout the process.
Three projects, at three different stages: one built and photographed, one drawn in full and photographed only while it was going up, one that exists as a design set. Move onto one, or tab to it, and its own photographs play against the plate on the right: the room itself, never cropped to a card's shape. Each has its own page, and each says which it is, with the rest of the comparisons on the page they belong to.
The living room from the first-floor landingThe dining room, fluted brass and a ring lightThe stair screen
The receptionThe bookcase that turns the cornerA cabin, towards its window
The mandir, builtThe same arch, in plywoodThe mandir, as drawn
Photographed at handover, before the family moved anything in.
Not every project is built. These are models from the stage where a room is still being argued with, before a single finish is chosen. They are shown as drawings because that is what they are, at one height and their own widths, the way they would be pinned up.
Workspace
One room doing two jobs: a sitting area for people who have come in to talk, and a working end for the people who are there all day. The model was for settling where the line between them falls.
Sapna with Metru Studio · Karad
Residence
Colour and material tried out early, in the model rather than on a board: teak arches, a jaali screen around the television, and a sideboard painted a green the rest of the room has to agree with.
Sapna with Trunk Design Studio · Pune
Apartment
A narrow kitchen, modelled to check the one thing a drawing cannot show you: whether two people can be in it at once with the oven door open.
Sapna at B&A Design Studio · Pune
Commercial
Twelve seats, a screen everyone has to be able to see, and a window wall that cannot be closed off. Most of the work in a room like this happens in plan.
Sapna at B&A Design Studio · Pune
Workspace
A room whose whole job is to look like somewhere two people would sit and talk, and to be quiet enough to record in. The colour is doing the first job; the soft furnishing is doing the second.
Sapna with Trunk Design Studio · Pune
Stage
A set for a stage production, drawn as four units that can be re-stacked between scenes. The only thing in this portfolio that is not a room, and the one that says the most about how the rest of it gets planned.
Sapna with Trunk Design Studio · Pune
A room should feel like the people who live in it.
Remote-first is not remote-only. Sapna runs every project herself, from wherever she sits, with drawings and a video call carrying the distance. But every site still needs someone standing on it who speaks the room.
Projects delivered in
Open for new work in
Karad and Kolhapur get the same process as any metro project. That’s the whole point of being remote-first.
The question a remote studio always gets is simple: how do you manage my site from another city? Partly, the language changes with the city. Sapna briefs the carpenter in Marathi on a Karad site, can talk a vendor through a snag in Kannada, and runs the rest of a project (client calls, drawings, handover) in Hindi and English. Tamil is the newest one, now fluent enough to run a Chennai site visit end to end.
The rest is method: how a site runs from another city
A remote studio earns trust with specifics, not adjectives: what things cost, who does what, and what actually happens on a site nobody sees us walk into.
What it costs, in shape
Consultation
Free, for now. A call to see whether the fit is right before anyone commits to anything.
Design fee
Priced to what the project actually needs. A single room costs less to plan than a full house.
Design, supervision and execution
Priced to the budget you set, and we hold to it through sourcing and vendor rates.
Questions worth asking first
The drawings carry more than one visit ever could. Every trade works from the same dimensioned set, not somebody’s memory of what was said on site last week. On top of that, execution runs on weekly photo updates and a video call whenever something needs a real conversation, and every vendor on site has been appointed by us and answers to us for the work.
It depends on the engagement. On a project we also execute, Katha sources and buys against the costed schedule you signed off on, and the invoice is ours. On a design-only project, we specify the exact material, quantity and vendor and you buy directly. The drawings are detailed enough that a contractor who isn’t us can still execute off them.
That’s one of the four services on its own terms, not a smaller version of the whole practice. A styling-only project starts from the room as it stands structurally and works in furniture, textiles, art and colour. No walls move, no contractors to appoint, no site visits to schedule.
Signed brief to handover, a straightforward 2BHK renovation usually runs four to six months: nearer four if the layout stays as it is, or longer where walls move or details are a large share of the work. Styling-only projects move in weeks, not months, since there’s no site sequencing to wait on.
Yes. We can either supervise your contractor or run execution ourselves. Either way, our drawings are the single source of truth on site.
Katha suits you if you want a home designed around how you actually live, with drawings, materials and a site that someone answers for.
Three taps, and we’ll sketch the home you’re imagining. Then send it to Sapna.
Tell Sapna about your home in the form below, or on WhatsApp.
Share a little about the project, and Sapna will reach out to you personally. There is no charge for the first conversation.
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